1,054 Royalty-Free Audio Tracks for "Augmented Seventh Chords"

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Mystic chord Acorde místico
Author: Ferbr1
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12-1 (chromatic) dodecachord on C
Author: Hyacinth
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Major triad on F in first inversion
Author: Hyacinth (talk) (Uploads)
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Major triad on C in second inversion.
Author: Hyacinth (talk) (Uploads)
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3-9A trichord on C. Sus2 chord.
Author: Hyacinth
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Dominant and dominant parallel in C major: GM and Em chords.
Author: User:Hyacinth
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Iidim6 chord in C.
Author: Hyacinth (talk)
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Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).
Author: Sciurid
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The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.
Author: WBOSITG
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Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).
Author: Sciurid
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One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.
Author: Hyacinth
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Just Intonation Major Chord (4:5:6)
Author: Sciurid
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So What chord.
Author: Hyacinth at English Wikipedia
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Chopin Waltz in D flat, Op. 64, No. 1
Author: Chopin
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The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of D major played on an acoustic guitar. El acorde de D major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of C major played on an acoustic guitar. El acorde de C major toca en una guitarra acoustica.
Author: WBOSITG
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The chord of F major played on an acoustic guitar. El acorde de F major toca en una guitarra acoustica.
Author: WBOSITG
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Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Sciurid
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Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.
Author: Hyacinth
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Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).
Author: en:Scott Joplin
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